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  • Castle Waiting II

    A beautifully-drawn, gently funny, and thoroughly, fiercely feminist fable of identity and community.

  • Lucky in Love: A Poor Man’s History

    On the back cover of Lucky in Love, there’s a quote from David Mazzucchelli: “We’re all lucky when Stephen DeStefano draws comics.” Ignore the cutesy pun on the title, and there’s a lot of truth to that.

  • West Coast Blues

    What else could you expect? I mean honestly, when you combine one of the finest living comic book artists with one of the greatest writers of hardboiled crime fiction. Really. Don’t even bother reading the rest of this review. Just buy the book. Is there anything I can do but state the obvious?

  • Werewolves of Montpellier

    Another year, another slim Jason book. By rights, we should be tired of his shtick by now: poker-faced animal-humans go through the paces of a pulpy plot, with plenty of downtime for eccentric conversational digressions and an inescapable atmosphere of understated ennui.

  • Prince Valiant 1 & 2

    If imitation is the sincerest form of flattery, Hal Foster must be the most highly-flattered American cartoonist of the twentieth century. A generation of newspaper strip cartoonists, two generations of magazine and children’s-book illustrators, and (what are we up to now?) five generations of comic-book artists owe not only their style but an entire method of processing black-and-white images — high contrast, richly detailed, figure-oriented — to Foster.

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