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  • Werewolves of Montpellier

    Another year, another slim Jason book. By rights, we should be tired of his shtick by now: poker-faced animal-humans go through the paces of a pulpy plot, with plenty of downtime for eccentric conversational digressions and an inescapable atmosphere of understated ennui.

  • Superboy 1

    I thought that with this new site starting, when I visited the comic shop this week I’d buy something kind of at random, and the first issue of Superboy by creators new to me seemed a suitable choice.

  • Neonomicon 2

    The ending of Neonomicon‘s second episode is so extreme that it is a wonder that this is not sold in shrink-wrap with a warning about it not being suitable for the under 18s.

  • Prince Valiant 1 & 2

    If imitation is the sincerest form of flattery, Hal Foster must be the most highly-flattered American cartoonist of the twentieth century. A generation of newspaper strip cartoonists, two generations of magazine and children’s-book illustrators, and (what are we up to now?) five generations of comic-book artists owe not only their style but an entire method of processing black-and-white images — high contrast, richly detailed, figure-oriented — to Foster.

  • Schulz and Peanuts: A Biography

    2010 marks the tenth anniversary of Charles Schulz’s death, so it seems like a good time to revisit David Michaelis’ long biography of the cartoonist, now that some of the controversy that surrounded the book’s publication in 2007 has died away a little.

  • Cinderella: From Fabletown With Love

    In the six issue Fables spin-off special Cinderella: From Fabletown With Love, writer Chris Roberson and artist Shawn McManus continue the character development that rips apart every Disney princess ideal we’ve ever seen.

  • Clint 1

    After one of the more effective plugging campaigns in decades, Clint, the adult anthology touted as a comics event akin to the Eagle and 2000AD launches, has been unleashed into British newsagents and supermarkets. Who are confused as buggery about it.

  • Strange Tales II 2

    Marvel lets a bunch of indie/underground types (most notably Los Bros Hernandez) at their characters, with variable but mostly enjoyable results.

  • Sabrina the Teenage Witch 58-100

    Before Tania Del Rio became writer and artist, Archie Comics’ Sabrina title had been featuring the same sort of short stories as all of the other titles featuring the Archie Riverdale characters. The most important thing that Del Rio did was to tell a larger story over forty-two issues, something unusual anywhere, let alone at Archie.

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