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  • Jennifer Blood 1

    Fuck me, there are NINE different covers for this comic. Are people still buying multiple copies of these things in the hope of big profits or something? Or from completist obsessions? I didn’t like any of them much, to be honest.

  • Avengers vs New Ultimates 1

    This confused the hell out of me. The banner at the top, where we expect the title to be, says Ultimate Death of Spider-Man; at the bottom it says Avengers vs New Ultimates 1. Fortunately I didn’t have to work out what it was, since it’s by Mark Millar so an automatic buy for me. It’s a good thing that that was my reason, since there is no detectable connection to the upcoming death of Spider-Man.

  • Azrael 17

    Appearing several years too late to get caught up in the sales wake of The Da Vinci Code, here comes Azrael. He’s dressed in the costume of a crusading knight, carries a fiery sword…and wears a face mask. Question: if you’ve returned from the dead, as Azrael has, why are you bothering to hide your identity?

  • Judge Dredd: The Complete Case Files 17

    I was quite harsh on Garth Ennis’s writing when I reviewed the previous volume. In this, he seems to be grasping Dredd and his world rather more substantially. It’s worth noting here that I think that this is one of the great comic creations, a memorable central character in a complex world that offers immense possibilities for all kinds of action, adventure, comedy and satire. The series would be kind of unacceptable without that final element, without the sense that the government on show is not being offered as a wholly good thing, but in fact it’s the thrill power that stays with me.

  • Sir Edward Grey, Witchfinder: Lost and Gone Forever 1

    Regular readers will have gathered that I am now hooked on Mignola’s Hellboy universe. This title is set in the late 19th Century, in which Grey travels to Utah on the trail of someone, for reasons not yet given; but I guess the main point of interest here is the art. John Severin is now 89, which makes him as far as I know the oldest artist still working in comics.

  • The Night Bookmobile

    This will undoubtedly be one of the best-selling graphic novels of the year; and if more than a handful of geekologists, whether mainstream or indie, take note of it, I’ll be surprised.

  • Power Man and Iron Fist 1

    I’m trying lots of new titles these days. Despite liking the old title, many, many years ago (an oddly charming run, I thought), the crappy cover here nearly put me off.

  • Ultimate Spider-Man 153

    Like the first issue of Avengers vs New Ultimates, this has a Death of Spider-Man banner; at least this comic has Spider-Man in it, and I suppose this story actually is the lead-in towards that death. Certainly the threat level is vast enough, since it involves some artefact with wishing powers, with no implied limits on it – maybe that level of danger will in due course drag in the big teams.

  • Nemesis

    Millar and McViven’s Nemesis is based around the realisation that, actually, being the bad guy has a not-so-subtle attraction. Good guys? They have morals and qualms. Bad guys have none of these things. They blow things up and maim and kill people in spectacular fashion, which is much more enjoyable in a trash aesthetic sort of way.

  • Winsor McCay: Early Works IX

    I’ve never been as big a fan of McCay as most comic fans are. I do see their point, and his massive importance is completely obvious, but I find most of his work a slog to read.

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