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  • Maths and Charity

    Nevs Coleman’s new column looks at the economic realities of comics fandom.

  • #NotAllDucks or Yes, I know Howard The Duck is in Original Sin. Please Stop Telling Me

    Nevs Coleman goes “WAUGGH!” about matters, duck-related and otherwise.

  • Flying the flag: the super-patriots of the early 1940s

    Tony Keen meanders his way through those who preceded and followed Captain America.

  • Why does everyone sh*t on the Scarlet Witch?

    Does the Scarlet Witch ever catch a break?

  • How I wanted to write Batgirl

    Tony Keen ruminates on how he wanted to portray the Dominoed Daredoll, comparing and contrasting her with other ladies of the DC Universe …

  • SEQUENTIAL

    Russell Willis reminisces about the late Martin Skidmore, the beloved founder of this website, and his influence on Russell’s interest in comics and Russell’s new comics-reading app, Sequential.

  • She’s Got A Brain, A Super-Brain… Oh No, Wait, She Doesn’t

    D.A. Madigan takes an unusual look at the gender divide in the superheroic world…

  • Whither The Dandy?…. And Does it Have To?

    The pertinent question nobody’s asking – or at least not often enough – is not “Can the Dandy be saved?”, but “Does the Dandy deserve to be saved?”

  • NOTHING WILL EVER BE THE SAME AGAIN. AGAIN.

    Since 1985’s Crisis On Infinite Earths,, the “Summermegacrossover” has become a tradition at the Big Two, an action-packed, highly-lucrative “event” in which some unprecedented calamity calls for all of DC’s or Marvel’s biggest guns to band together to avert the destruction of the Universe/the Earth/East Grinstead in a series of increasingly-contrived battle extravaganzas.

  • The Best of British: Swift

    Swift was the fourth title to emerge from the Hulton Press stable under the auspices of the Reverend Malcolm Morris as part of his crusade to produce high quality, morally uplifting comics for children. Whilst never to gain the giddy heights achieved by Eagle, it joined secondary titles Girl and Robin, and was a publication which targeted the then-untapped audience between pre-schoolers and independent readers, completing for Hulton a slick and colourful line of publications which catered to all “good and decent” children from the cradle to adulthood.

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