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  • Tiny Titans 31

    This is rather charming: a comic featuring the Teen Titans and other superheroes as primary school characters, drawn in a style that you traditionally associate with (US) childrens comics. How is this supposed to fit in with existing DC continuity? Well, Tiny Titans is a TV show that the “real-life” Titans watch. How very metatextual.

  • Brubaker’s Catwoman: an appreciation

    A belated apology for not following Brubaker from many years ago, thanks to finally reading his superb Catwoman run.

  • Azrael 17

    Appearing several years too late to get caught up in the sales wake of The Da Vinci Code, here comes Azrael. He’s dressed in the costume of a crusading knight, carries a fiery sword…and wears a face mask. Question: if you’ve returned from the dead, as Azrael has, why are you bothering to hide your identity?

  • DMZ 60

    DMZ is a Vertigo title set in a near future America in which the USA is caught up in a civil war between redneck libertarian gun nuts and the brutal military-industrial complex who control the central government. The series is set in New York, which is some kind of frontline or demilitarised zone between the two sides. I suppose the idea is to show First World readers what modern war is like, by bringing an Iraq-style maelstrom home to that most quintessentially American city.

  • Shazam! 1

    The first impression inside is that either some weird meta move is being pulled, or someone fucked up the colour registration, as much of it is out of focus. I am pretty sure it’s the latter. If that was the worst I could say about this dreary, vacuous comic, maybe that wouldn’t be so bad, but it’s terrible throughout.

  • Wonder Girl 1

    I believe this is a one-off, and I am mystified how it got sold to DC. Perhaps they just wanted to put out a Wonder Girl one-shot (has she been hugely popular in the Titans or something?), and the fact that no one had any ideas didn’t deter them. I just can’t see any reason for this comic to exist.

  • Starman/Congorilla 1

    If you have a comic starring a blue alien superhero who also happens to be a bit of a slut, a giant, talking gorilla and Rex the Wonder Dog, then you expect it to be entertaining and a bit surreal. You expect in fact, something like a Grant Morrison comic. This isn’t quite what you get.

  • Greatest Hits

    Sometimes it’s easy to see the pitch: what if the Beatles had been superheroes? A decent idea, and it gives you lots to work with. Trouble is, it rather sets up claims for the story that are not remotely fulfilled.

  • Plastic Man Archives 2

    I don’t suppose many would argue against this being the greatest comic book work of the 1940s, given that The Spirit ran as a newspaper insert. But on the other hand, is even this still worth reading over 65 years on (these stories are from 1843-44)?

  • JSA All-Stars #13

    The first time I read JSA All Stars 13 I was quietly impressed. It was a nice break in what is often an incomprehensible team book which itself spun off from another overpadded team book whose purpose and indeed distinction has often been unclear to me.

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