Articles on FA about comics published by Dark Horse Comics

Dark Horse Presents 1 DarkHorsePresents1

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— 02-May-11

Does anyone bother reading anthology comics any longer? Dark Horse appear to think so, and credit to them for attempting to bolster what’s never been a particularly popular format, in the US at least. Most of the names here appeared in the original DHP when it first appeared many years back, giving this comic an aura less of a new series than of a title that’s been temporarily out of action.

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Sir Edward Grey Witchfinder: Lost and Gone Forever 2 witchfinder2

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— 14-Mar-11

Sir Edward Grey Witchfinder is an excursion into the realms of gothic western. The western seems to be making a comeback, but it’s been infected by zombies and lycanthropes and invariably sultry witches. Why is this? Maybe it’s because it’s an era that already carries mythic overtones. Maybe it’s the looming, shadowed landscapes. Maybe it’s crass commercialism.

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Sir Edward Grey, Witchfinder: Lost and Gone Forever 1 witchfinder-lost-and-gone-forever

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— 11-Feb-11

Regular readers will have gathered that I am now hooked on Mignola’s Hellboy universe. This title is set in the late 19th Century, in which Grey travels to Utah on the trail of someone, for reasons not yet given; but I guess the main point of interest here is the art. John Severin is now 89, which makes him as far as I know the oldest artist still working in comics.

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BPRD: Hell on Earth: Gods 1 bprd

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— 03-Feb-11

I admitted the other day that I had never read Hellboy before, so you won’t be surprised that I was unfamiliar with the Bureau for Paranormal Research and Defense spin-off. Actually, I don’t feel a great deal more familiar with them after reading this, since none of them appear until the final panel.

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Let Me In: Crossroads 1 Let-Me-In-Crossroads-1

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— 17-Dec-10

Dark Horse have long specialised in film and TV adaptations, with the results normally being of distinctly mediocre quality. Now here comes Let Me In: Crossroads, a comic book prequel to a film that’s a remake of the Swedish film Let The Right One In, which in turn was adapted from the novel of the same name. It’s a metatextual world we live in.

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